RICHMOND CHAMBER ORCHESTRA

RICHMOND CHAMBER ORCHESTRARICHMOND CHAMBER ORCHESTRARICHMOND CHAMBER ORCHESTRA
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RICHMOND CHAMBER ORCHESTRA

RICHMOND CHAMBER ORCHESTRARICHMOND CHAMBER ORCHESTRARICHMOND CHAMBER ORCHESTRA
Home
Contact Us
Forthcoming Events
Previous Concerts
Supporting the RCO
Where to find more music!
Click to buy tickets
Click to buy tickets
Click to buy tickets
More
  • Home
  • Contact Us
  • Forthcoming Events
  • Previous Concerts
  • Supporting the RCO
  • Where to find more music!
  • Click to buy tickets
  • Click to buy tickets
  • Click to buy tickets
  • Home
  • Contact Us
  • Forthcoming Events
  • Previous Concerts
  • Supporting the RCO
  • Where to find more music!
  • Click to buy tickets
  • Click to buy tickets
  • Click to buy tickets

PRODIGIES and WHIZZ-KIDS

Sunday March 8th at 3.00pm

in the Georgian Theatre, Richmond


An afternoon of music by young musical geniuses aged between 12 and 20. Mendelssohn at 10, Rossini at 12 and Mozart at 16 gave concerts, wrote literally hundreds of pieces. Gershwin earned $10,000 on Broadway aged 18. Come and hear their astonishing music


Rossini  String Symphony No.2

Britten  Simple Symphony

Mozart Divertimento K136

Gershwin  Lullaby

Mendelssohn Octet for strings


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SWALEDALE FESTIVAL 2026

Sunday May 31st at 3.00pm St Mary's Church Richmond

 Masterpieces for Strings, with a Twist


Fenella Humphreys and Philippa Mo (violins)

Grieg                 Holberg Suite

JS Bach              Concerto for 2 Violins

Vivaldi/Richter The Four Seasons


We are joined by not one but two international soloists to play a fabulous programme of string orchestra favourites. After Grieg and Bach’s much-loved classics comes Max Richter’s ‘reimagining’ of Vivaldi’s Four Seasons. Inspired by the unique masterpiece we all know so well, his mesmerising re-vision refreshes Vivaldi while always remaining true to his harmonies.  Now you hear the familiar, now it becomes curiously unfamiliar! 

The piece has been an extraordinary success in its own right, and is something we've always wanted to play. The lovely acoustics of St Mary's make it the perfect setting.


“Richter’s intervention gives it a real frisson. Its extra levels viscerally connect with our memories of that evergreen piece.” Guardian

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